April 5, 2011

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April 2, 2011 in Thoughts16 comments (Edit)

Notwithstanding the snowstorm yesterday, April and Spring are here.  It is a magical time of the year–of birth and rebirth.  It is also a time when I contemplate what knitting has done for me as I celebrate my daughter Chloë’s birthday.  She would be 27 today.  It is hard to believe so much time has passed since her sweet little life began here on Earth.   She was with us for 6 months before she died of Sudden Infant Death Syndrome (SIDS), now better known as SUDS (Sudden Unexplained Death Syndrome), for it does extend to children older than infants, though more rare. I don’t usually talk about Chloë because I don’t want to make people feel uncomfortable, but the times I do, someone will come forward with their own story while thanking me for sharing this part of my life.  I remember giving a talk to a guild one time and mentioning Chloë’s Dress, which I made as my grief work for her.  Afterward, a young grief-stricken mother came up to tell me she had just lost her baby.  It was so healing for both of us to share that moment.
Chloë's Dress 
The yin and yang of life and death is present for all of us.  We all have loss and joy in our lives.  I am so comforted by my knitting to bring me through all the times–good and bad.  It is always there, to keep my hands company.  When Chloë’s dress was designed, I felt so strongly that this dress came through me, not from me.  I cried while I knitted it, but when it was finished, a weight had lifted off me.  This was a great gift to me, from Knitting. We are all so very blessed to have this handwork, this self-expression that is healing, comforting, fun, practical, even outrageous at times!  I think of the dear friends I now have and the places I have travelled because of knitting, and how I have developed as a person because of the challenges my knitting career has put on me.  Before losing Chloë, I was pretty timid.  After that, I knew that NOTHING in my life would be as terrible.  That loss gave me the foundational strength and courage to dare to make a career of knitting, to even think that I had something to contribute to others through this medium.  That was one of the great gifts from Chloë. At the end of every day, I still miss her terribly.  But I know I am rich in my life beyond measure for what she did for me.
Chloë 
My favorite foundation for Sudden Infant Death Syndrome is the CJ Foundation for SIDS at The Don-Imus-WFAN Pediatric Center, Hackensack University Medical Center, 30 Prospect Avenue, Hackensack, NJ  07601; www.cjsids.org
April 1, 2011 in ThoughtsWorkshops | Tags: 6 comments (Edit) It was a busy weekend.  On Sunday I participated in a fun event at Webs.  Over ten authors came together to sign books/DVDs/patterns and to talk with people for the afternoon.  Gudrun JohnstonKristin Nicholas, Gail Callahan, and more were there.  Of all the things I forgot to bring, the camera was at the top of the list.  Not that I had time to be taking pictures.  A bunch of my good friends came by, even Holly all the way from Ohio!  Thanks everybody!  It was great to see so many familiar faces.  And my daughter Chelsea even came along.
Monday I barely rolled out of bed and had to get to the train station.  I went down to NYC to teach a class at New York’s beloved knitting shop, Knitty City.  Pearl Chin owns the shop and is a delight!   I taught my new class of Latvian Mitts.
Springtime Latvian Mitts 
We all had a great time!
Working intently! 
Too much fun! 
Ilma has been in a couple of my classes elsewhere and she brought along this spectacular pair of mittens knitted in Latvia, which a cousin of hers sent her.  I measured the stitch gauge at 19 stitches /inch.  The yarn is a very fine single ply.  This mitten is a museum quality, exquisitely  executed mitten.  Some of the rounds in the cuff have at least five colors in a round. Look at the tip, how  the little zig-zags follow the decrease angles.  Just perfection!
A superlative example of Latvian knitting 
AND… I will admit that I learned something very valuable on this trip.  I realized that I have been so nervous, afraid even, of traveling to NYC.  (When I went to Vogue Knitting Live in January, my friend Josie met me at the station and made sure I got where I needed to go, so I never really ventured out on my own.) It made me think of my students who are paralyzed at the thought of cutting a steek.  Just as I have coaxed knitters into snipping away at those extra stitches in their knitting, I coaxed myself onto the train, found my way through Penn Station, got a taxi by myself, and arrived at my destination.  I feel so accomplished now!  Yeah, I know, I have traveled in Europe in lots of cities.  For some reason, Stockholm seemed so much more do-able than NYC–until now!  Now I OWN New York City! Good thing too as Pearl and I are talking about the possibility of my return to Knitty City in the near future!
 
Rarely do I have the pleasure of TAKING a workshop.  Last Saturday I did just that!  Robin Russo, renown in the spinning world, taught a full day class on goat hairs.  I am so lucky to have been home this weekend so I could attend. About 20 of us gathered in a room with our wheels in anticipation.  We were given a variety of cashmeres in different grades to spin as well as pygora and angora and cashgora.  I spun my little heiny off and by the end of the day had produced this ball of yarn…
My ball of spun goat yarn 
It consists of several grades of cashmere, pygora, cashgora, and mohair (kid, yearling, and adult).  It was pretty fascinating to see samples of the different types of mohair, which is what the fleece of an angora goat is called:
Kid and adult mohair locks 
The mohair taken from a goat that is 6 months old to a year old is considered “kid”.  It is shorter, curlier, and maybe not as shiny as more mature mohair.  Yearling mohair is a bit less curly, and longer because it has had a longer time to grow than a kid’s.  Adult mohair is so shiny and has much less curl.  It was used a lot in the earlier 1900s for upholstery fabric because it would wear so well.  I remember my Grandma’s couch…. Pygora is the type of goat that is a cross between a pygmy goat and an angora goat.  I never knew before that angora goats have only come in one color: white.  Once they were crossed with pygmy goats (which have lots of colors in their fleeces), more color is being produced in with this cross breed. Here is my notebook of samples at the end of the day:
My notebook of samples that I spun in class 
 
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