Spinning

You are currently browsing the archive for the Spinning category.

I was home for three days after I returned from Ohio.  Then I was off again for Oregon.  The Black Sheep Gathering is held in Eugene, Oregon every year with spinning, knitting, and dyeing classes; fleece, skein, and garment competitions; and lots of great vendors.

The entrance to the Black Sheep Gathering

My dear friend Lois Olund picked me up from the airport in Portland and took me to her farm near Corvallis, where she raises the largest flock of Wensleydale sheep in North America.  Those of you who remember the mail-order days of Knitting Traditions will also remember the incredible Wensleydale yarns I imported from England.  It is an exceptional fiber, strong, lustrous, and luscious!  Lois showed me the flock and her carding equipment.  She prepares the fibers and dyes them too, as well as selling fleeces.  I can't wait to have the time to spin this wondrous stuff Lois gave me!  Check out her website!

Wensleydale fiber: Bellwether Wool Company

When I wasn't teaching I wandered the vendor hall and found silkworms! Walking the vendor floor I also ran into Michelle of Toots LeBlanc, who has luscious z-plied yarns, which are great for twined knitting as well as regular knitting! Toots Le Blanc Then I found Lois, happily spinning away... Black Sheep Gathering: Bellwether Wool Company Donna, in the video, was referring to Judith MacKenzie, the famous spinner/teacher who judged the spinning competition. I was lucky to be able to spend time with my friends Joan Schrouder, Janel Laidman, and JC Briar, as well as Y'vonne Cutright, all talented knitting designers and teachers.  I am especially glad I got to spend time with Lois, since we hadn't seen each other in over thirty years.  Where has the time gone?

Lois and Beth

 

Tags: , , ,

In the last few years I haven't been frequenting the wool festivals.  I always tell myself I am too busy (never true) and I have enough yarn (ditto!).  So, today my friend Arlene strongly suggested I get out of the house, and I am so glad I did!  We drove down to Cummington, MA to spend the day at the Massachusetts Sheep and Wool Festival. After eating lunch, trying out several samples of lamb, we wandered the grounds, admiring the bunnies...
 

Angora bunnies for sale

the sheep being judged..
 
 

Sheep being judged

the vendor barns...

Barns full of goodies

and outdoor booths.

outdoor booths

One vendor outside had lots of spinning fibers she had dyed with vegetal dyes:

Vegetal dyed wools

One thing I don't like about the bigger festivals is the human crushing that goes on in the barns.  Here, there was lots to see and plenty of room to look comfortably!

Spacious barns

I was pleased to see my friend Loranne Cary Block of Snow Star Farm in NH.  She dyes her yarns with vegetal dyes and sells them at different shows around New England.  Her garment patterns have been created by leading designers such as Anna Zilboorg, Ann Feitelson, and yours truly.  Although Loranne doesn't sell on the internet, you can find her at Rhinebeck this October.

Loranne and her beautilful yarns and garments

I also saw my friend Margaret Klein Wilson of Mostly Merino.  As always, her booth, the delicious yarns and garments, is feast for the eyes.  She takes orders online and will be at Rhinebeck as well as other local New England shows.  Check her website for details.

The Mostly Merino booth

I bought some lovely angora/wool fiber to spin...

angora/wool blend for spinning

and an incredible felted rug from Kyrgyzstan.

My Krygyzstan Rug

These rugs are made by nomadic people of northern Kyrgyzstan (an area which is part of Russia).  They raise sheep, cows, and horses in the  Tien Shan mountain range.  These rugs are made by creating single layers of wool felt.  The designs are then cut out, and the part that is"positive" is incorporated into one rug, while the "negative" of the cutout is used in another rug.  There is no waste.  I saw the negative of my rug at the festival and it was hard to choose which one I liked best.  The shapes are outlined with handspun yarn embroidered on top and there is quilting in the spaces to hold all the layers together.

Tags: , , , ,

I volunteered to give a demonstration for my spinning guild on my Charkha this month and I thought I would share this information with you.  The Charkha is a very old tool, one of the oldest forms of a spinning wheel, popularized by Gandhi in the last century. The concept of the spinning wheel came to India by way of Iran in the thirteenth century.  The charkha is powered by hand-cranking a wheel which in turn spins the spindle which sends twist into the fibers being spun, thus creating yarn or thread. "Charkha" means wheel in Hindi and was a tool as well as a symbol for the Indian Independence Movement.  Gandhi understood that the people of India could be self-sufficient if they spun their own cotton thread and made their own cloth for their clothing, rather than being dependent upon imported fabrics.  The resulting cloth is known as Khadi cloth, and I wrote about that a few blogs ago. I have both a book-size Charkha and a briefcase-sized Charkha.

Book Charkha in foreground, Briefcase Charkha in background

You can see some non-skid cloth peeking out from underneath the Book Charkha.  That helps to keep it from sliding around as I spin.  Also, the weaving on the coffee table was made from a commercial cotton warp and handspun cotton weft in Crackle weave, in case any of you are interested. I like to spin on both Charkhas, but prefer the book sized one for some unknown reason.  Mainly I have spun cotton on it.  Here is a skein I spun on the Charkha.

Charkha-spun Cotton

Here's a detail shot.  I plied it on my spinning wheel in a corkscrew fashion for more texture.  I find it difficult to ply on the Charkha because the spindles don't hold as much as a bobbin does on my regular wheel. I hope to weave cloth for a top someday from this.

Notice the corkscrew ply of this 2-ply yarn

The Process of Cotton to Yarn When I lived in Maryland, I tried growing cotton with very little success.  Maryland has high humidity which promotes rot.  Cotton needs a long dry growing season, which is why the South is perfect for this crop.  I must admit though that a friend of mine, who was an avid gardener in Maryland, was very successful in her attempts to grow cotton, and the blooms are so fragile, delicate, and beautiful.  I wish I still had a photo of them.  If you Google "cotton bloom" you can see some photos, but they don't do it justice. Here is the product of the cotton plant, cotton bolls.  The fibers of the boll, or lint, are attached to the seeds.  It is quite tedious to remove the seeds by picking them out of the cotton.  No wonder the cotton gin was so important in revolutionizing the cotton industry. I learned an African technique of using a stick to roll the bolls, which makes the seeds pop out. Some people use pasta machines!

Brown and white cotton bolls

When cotton is almost mature, the plants are defoliated, to drop the leaves and force the boll to mature.  Most cotton crops are heavily doused with toxic herbicides.  These poisons will reside in the cotton oils, an unfortunately prevalent food additive in use these days.  I try to avoid any food that has cottonseed oil listed in the ingredients for this reason.  When spinning or knitting with cotton, it's a good idea to buy organic whenever possible to reduce your exposure to those toxins.  One way organic cotton is defoliated is by withholding water.  What a simple, basic solution! There are many natural colors of cotton.  Here are just a few of the possible shades of browns, beiges, and greens.  I know I have more hiding around the house...  If you are interested in spinning on a charkha, I recommend Eileen Hallman's website New World Textiles for videos, organic cottons, and Indian Charkhas. On Jonathon and Sheila Bosworth's website you can see their beautiful handmade Charkhas, in luscious woods and high quality spindles and workings.

A few of the natural shades of cotton

When working with raw cotton (not prepared as a sliver for spinning) the cotton can be carded to make punis or poonis (an Indian term) that are little rolags that make spinning on a Charkha easy.

Multi-colored cotton sliver and a bundle of punis from India. Look at the newspaper used to wrap them!

When preparing wool, the desired result of the fiber preparation is to make a rolag that is light and airy.  For easy spinning of cotton on a Charkha, the punis must be dense and rolled tightly.  Here is how I make mine. I start by charging my cotton cards with cotton lint.

Carder charged with lint

Then I card the cotton and then strip the carders.  Here is what came off my carder:

Carded cotton lint

Now, I roll it tightly on a dowel I sanded smooth for this purpose.

Puni on a stick!

Then I push it off the stick.

Puni partway off the stick

Completed puni

Here's a one-minute low-quality movie of me spinning on my Charkha.  I couldn't find my Flip camera, so I used my regular camera and the quality isn't the same, but you get the idea. [wpvideo gpTVjAfx]

Tags: , , , , , ,

I have been laboring over my computer trying to organize my couple thousand photos and came across photos of my silkworm experience in, oh, 1983 I think. I did show them to the Atlanta guild earlier this year, and in the interval of ugly computer issues, was concerned they might be lost. But here they are! It was a fun spring project, but it was a lot of work too. It was supposed to last about 26 days from hatching to spinning, but my worms liked me so much they hung around an extra two weeks. As soon as the mulberry trees started to leaf out, I brought my two small packs of eggs from the frig to bring to room temperature. I had a yellow silk strain and a white silk strain of eggs. It takes somewhere between 6 and 20 days for the eggs to hatch. You can see cottonballs next to the eggs. These are moistened with water to add humidity to their environment. hatching.gif Here they are at four days old. You can barely see them still. Notice a dark thing at the top of the left hand leaf--there's one! They are munching on mulberry leaves which I picked daily, washed, and kept fresh in the frig in a vase of water. All the leaves had to be dry before they were fed to the worms. 4daysold.gif At 18 days they have grown considerably. 18-days.gif At 23 days, you can see some sluffed skins on the lower right leaf. The worms go through four moltings in their liftimes as worms. The five time periods between molts are called instars. 23-days.gif Here is a boxful at 36 days. I had to empty the box every day and remove the frass (their poop). You can imagine I was beginning to think I would be doing this forever! 36daysfrass.gif Carefully, I had to lift the worms out and change their paper. The silkworm's skin is so delicate from thousands of years of selective breeding for silk (not for impermeable skin), that you have to be very careful. I would lift them out of the box on top of the paper towel that was their floor, put new paper in the box, and then used a utensil to scoop them back into the box. Here they are while I am cleaning their home. 36days.gif This amazing worm is over four inches long and bigger around than my forefinger. After I took one photo of him/her, he/she raised his/her head. liftingitshead.gif So all this time, the worms had happily stayed in shoe boxes. Then they began a-wandering, looking for a place to hunker down and spin. I know the feeling. searching.gif Once the worms find a good spot, the process takes about three days to spin the complete cocoon and turn into a pupa. spinning.gif It takes around three weeks before metamorphosis to moth is complete. What beautiful cocoons! some-beautiful-cocoons.gif Here are a couple of moths emerging at about the same time. You can see a brown spot in front of one of the cocoons. I was told this is the acid that is excreted from the worm to break out of the cocoon. But I have read other explanations as well. emerging.gif This little moth, just came out of its cocoon and is spreading its wings after being cramped for a good while. By flapping the wings, blood is pumped into them and they get larger and fuller after being cramped for so long in a tiny space. Domesticated silkworms have lost the ability to fly over the millenia, but there are still species in the wild that fly and spin beautiful silks in shades of brown. dryingwings.gif OK. Now those of you who are sensitive... don't look. This is the high point of a silk worm's life: mating, abdomen to abdomen. sex.gif Within two days, the female will lay her eggs carefully in a single layer. Both male and female moths die soon after. They eat nothing for the rest of their lives after they begin spinning. The sad part is that in order to have a continuous strand of silk (about a mile long) the cocoons must be heated so the moths are "stifled"--a polite way of saying they are killed. Once the moth emerges, the single filament is broken into many pieces, and although the quality is the same, the more textured threads and yarns made from broken silk are not as highly prized. Here are some of my cocoons ready to be heated. readytostifle.gif Here are some of the yarns I have spun from silk (not from my own cocoons). But the thread you see on the funny looking niddy noddy is what I reeled from 8 cocoons--that's the filament from eight cocoons creating the thickness of that thread. Also shown are a brick of silk and mawata (the "hankie" looking thing). silkyarns.gif If you are interested in a quick and easy factual read on more details of the life cycle, check out this school project of some third graders in California!
Related Posts Plugin for WordPress, Blogger...

Tags: , , , , ,