Thoughts

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Now that Vogue Knitting has had such success with its inaugural event in NYC, a new event has been planned.  It was announced at the NYC show that the next one will be in Los Angeles September 23-25! Interweave Press is joining in too!  They will be holding their first knitting event, Knitting Lab, at the San Mateo Marriott (outside San Francisco) November 3-6. Madrona is one of the finest shows around, held in February in Tacoma, Washington every year on President's Weekend.  It is a smaller scale show, and maybe that's a big part of why I like it.  It has a more intimate feel and is held in a beautiful hotel, decorated with handblown glass by a different artist on each floor.  It is a block or two away from the Glass Museum, which is a not-to-be-missed adventure! Knitters Magazine puts on four shows every year around the country!  Stitches West is next week (Santa Clara, February 17-20),  Stitches South is April 14-17 in Atlanta, Stitches Mid-west is August 25-28 in Chicago, and Stitches East is October 20-23 in Hartford. TKGA (The Knitting Guild Association) is the oldest knitting show in the US, starting in 1985.  This year, TKGA shows will be held in Minneapolis, MN July 28-31 and in Greensboro, NC September 21-25. If you have never been to a knitting event, consider it.  It is so amazing to be in a hotel where everywhere you look, there are knitters and crocheters, lovers of yarn, teachers and students, classes and the market, where you can do some hefty stash enhancement. Then there are the cruises and tours sponsored by CraftCruises.com (the cruises I teach on are through them), Joyce James Tours (highly regarded!) and more!  Vogue and Interweave have sponsored trips in the past, but I couldn't find anything on the web about them for this year. Of course I will be teaching in Normandy France in May and in Italy  for Alpine Adventure Agency in September.  Click on the heading above "Teaching Trips Abroad" for more information.  Any one know of other trips to mention? For a good idea of other fiber-related events, Clara Parkes of Knitters Review fame has a fabulous listing of knitting events here and abroad. Aren't we lucky to have so much to choose from?  There is no reason to feel like a solitary knitter all the time!  Get thee to a show!

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On the cover…

Mr. FedEx Man came by today and dropped off a package from Interweave Press.  I have been waiting for it.  It contained the fingerless mitts I sent them months ago, a check (YAY!), and two copies of the latest issue of Knitting Traditions, Interweave's new magazine.  (I know I have heard of that name before...)   But to my surprise, the mitts made the cover!  I am so proud!  It's a lovely photo (thanks to Joe Coca who always does a fabulous job).  It is a wonderful issue, chock full of beautiful designs. I am working on another design for the next issue, since this magazine happens to be right up my alley... And I have decided to move my blog.  That seems scary, but I want more functionality than I have right now.  So for those of you who have subscribed to the blog, you will probably have to re-subscribe.  (Sorry!)  And for those of you who have bookmarked my blog, you'll have to do that all over again. I hate to cause this upheaval, and I hope it will be worth it in the end.  Where am I moving it?  To my website. Not too hard to find! When am I moving?  Not sure yet.  Most likely this month sometime... It has been the snowiest winter yet since I moved to Vermont.  Here is what I see when I look out my kitchen window:

Almost up to the middle of the window!

I am beginning to get ready for Stitches West.  That means packing the suitcase, dumping it out to be sure I packed everything, and packing it all over again, printing handouts, getting bills paid  and groceries bought (for my daughter) before I leave.  I am looking forward to a fun time there.  I hope to see a bunch of you!  And, honestly, it will be an awesome break from the Vermont winter being in the California sunshine!

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My dear friend Coni came back just before Christmas from traveling for eight weeks in India and Nepal.  I wanted to show you all the exquisite textiles she brought back with her, including some socks she bought for me!  The socks were knitted from the cuff to toe.  There is a heel flap and a turned heel, and the toe is decreased down to a point.  They are pretty comfortable! But the odd thing is that the patterning of the foot only occurs on the top of the foot.  Every time the color of yarn was changed, knots were made at the side of the foot and the yarn tails were trimmed to 1/2".Now maybe this makes sense in that the patterning would not be seen on the bottom of the foot, and less yarn is used.  But from a practical standpoint, I would want more yarns on the bottom of the foot for better wear and longevity of the sock.  It's an interesting juxtaposition of viewpoints: producer vs. consumer.

Socks from Nepal-view of soles, inside-out and right-side out

 

Socks from Nepal-top of foot, inside-out and right-side out

I will be more careful with these socks. I want them to last a long time.  So I won't be running around in them stocking-footed.  They are warm and cozy and bright.  I love them!

Pashmina

The textiles Coni bought are exquisite, beginning with this diaphanous Pashmina scarf:

A brown cloud of incredible softness!

It is the softest fabric I have ever felt.  Just luscious!  The most amazing thing about this piece is that it is woven in singles in what looks to be a collapse weave, but little paisleys are woven in for texture.  They are so subtle, they are barely noticeable.

Close up of the Pashmina, with Paisley in lower front

From Wickipedia.... The fibre is also known as pashm or pashmina for its use in the handmade shawls of Himalayas.[4] The woollen shawls made from wool in Kashmir find written mention in Indian texts between 3rd century BC and the 11th century AD.[5] However, the founder of the cashmere wool industry is traditionally held to be the 15th century ruler of Kashmir, Zayn-ul-Abidin, who introduced weavers from Central Asia.[5]
 
Pashmina goats, Ladakh
Cashmere shawls have been manufactured in Nepal and Kashmir for thousands of years. The test for a quality pashmina is warmth and feel. Pashmina and Cashmere are derived from same mountain goats. One distinct difference between Pashmina and Cashmere is the micron size. Pashmina fibers are finer and thinner than cashmere fiber, therefore, it is ideal for making light weight apparel like fine scarves. However, these days the word PASHMINA has been used too liberally and any scarves made from natural or synthetic fiber are sold as Pashmina creating confusion in the market. Pashmina from Nepal are the best in quality because of the conditions the mountain goats have adapted over centuries. The high Himalayas of Nepal has harsh, cold climate and in order to survive that the mountain goats have developed exceptionally warm and light fiber which might be slightly coarser than cashmere fibers obtained from lower region goats, but it is much warmer.  To distinguish Nepalese Pashmina, the Nepal Pashmina Industries Association has registered a Trademark around the world, called "Changra Pashmina". Coni said that the fibers used for Pashmina are taken from the neck underneath and under the front legs (arm pits?) of the goats, because these are the areas of the finest, thinnest fibers.  The goats are shorn once a year.  Her piece came from Kashmir but she bought it in Darjeeling.

Khādī Cloth

Handspun, handwoven Khadi Cloth

I love this cloth. Coni bought this in Varanasi.  It represents so much suffering and emancipation for India (see below). From Wikipedia....
The term khādī means cotton. khādī is Indian handspun and hand-woven cloth. The raw materials may be cottonsilk, or wool, which are spun into threads on a spinning wheel called a charkha. It is a versatile fabric, cool in the summer and warm in the winter. However, being a cruder form of material, it wrinkles much faster than other preparations of cotton. In order to improve the look, khādī is often starched to have a stiffer shape. It is widely accepted in fashion circles.[1][2] Khadi is not just a cloth, it is a whole movement started by Mohandas Karamchand Gandhi. The Khadi movement aimed at boycotting foreign goods and promoting Indian goods, thereby improving India's economy. Mahatma Gandhi began promoting the spinning of khādī for rural self-employment and self-reliance (instead of using cloth manufactured industrially in Britain) in 1920s India thus making khadi an integral part and icon of the Swadeshi movement. The freedom struggle revolved around the use of khādī fabrics and the dumping of foreign-made clothes. When some people complained about the costliness of khadi to Mahatma Gandhi, he started wearing only loincloth. Thus it symbolized the political ideas and independence itself, and to this day most politicians in India are seen only in khādī clothing. The flag of India is only allowed to be made from this material, although in practice many flag manufacturers, especially those outside of India, ignore this rule.

Silk

Also in Varanasi, Coni bought this 100% silk scarf and a little purse from Kathmandu.  The photos don't do them justice.

Silk Scarf with Paisleys

Silk purse- sold as a cell phone cover

Embroidery on Pashmina

This is the stellar piece, bought in Darjeeling.  Coni was told that a "true" pashmina is embroidered.  At first I thought I was looking at a printed fabric. This shawl was handwoven in a twill, and then embroidered by a man from Kashmir who took seven, yes, SEVEN, years to complete it.  That just boggles my mind.  The love and care he used to create this masterpiece is so very evident.

 

Part of the spectacular embroidery on this Pashmina

Paisley Detail

A Cotton Piece in What Technique?

Here is an interesting piece.  I am not sure how it is made.  Is it Tunisian Crochet?  Is it somehow knitted?  The fringes look like I-cord.  It is a local tradition in Veranasi.

 

Darjeeling Scarf

Felted Slippers

And last is this sweet pair of slippers Coni bought in Kathmandu, Nepal.

Felted Slippers

I hope you all enjoyed this foray into Indian textiles!

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All the blogs are talking about it: Vogue Knitting LIVE !  I think Kristin Nicholas and Clara Parkes put it best, but I will put in my two cents. It has taken me until today to rest up from that amazing event in the heart of New York City. Last Friday, Saturday, and Sunday, 3000 knitters took part in classes taught by the top knitting instructors in the US (and some from abroad)!  Yes, 3000 students!  I don't know how many more came to the market.    It was a wonderful, well put-together show considering it was the first time.  Lots of knitters volunteered to help.  The Vogue staff was so easy to work with and helpful.  (Thanks so much you all!) To begin with, I took the train down from Vermont on Thursday.  My friend Josie met me at Penn Station since I don't know the city and she made sure I got into my room at the hotel.  We went to dinner at a Latin place downtown.  (YUM!)  OH, the food in that city!  SO diverse.  I roomed with my good friend Gail who owns Cornwall Yarn Shop in Cornwall, NY and had a blast as always.  I enjoyed meeting my son, Jorn, for an early dinner on Friday. I never see enough of him, but I had to get back in time for the cocktail party that night.  It was fun to rub shoulders with all those knitters, but I never saw half the teachers there, which was a shame.  Just so many people and not enough time to circulate. Saturday, I taught two classes.  The hotel had emptied out a floor of hotel rooms and put tables in for small classrooms.  It was a tight fit but we had a great time!

My Norwegian Purl Class at Vogue Knitting LIVE

On Saturday night there was a banquet.  The food was good and we were privileged to see the finalists of the mohair competition.  Just gorgeous garments!  Sunday I taught again.  My students were wonderful.  I enjoyed them all  so much!  It was a great experience and I hope to return to NYC next year! As my class came to a close, my friend Ann Denton came by to whisk me off to her loft apartment downtown. After a lovely meal and pleasant evening, I hit the hay and slept so soundly.  I was so tired from the weekend and I had a big day ahead of me... The next morning, Ann took me to FIT...

The Entrance to the Fashion Institute of Technology

Here is one of many displays of the students' work...

Fun ideas!

My friend Ann, who is a professor at FIT, gave me a tour of some of the labs...

One of the textile labs

The Cosmetic Fragrance Lab

Video Studio

In the photo above, we were looking down into the video studio where the students learn about making video presentations and more.  And then, Ann took me to THE KNITTING LAB!

"The Wall" in the Knitting Lab

Be still my heart!  She showed me flat bed knitting machines and tubular knitting machines that make T-Shirt fabric!

The Tubular Knitting Machine

Inside the tubular knitting machine

Then I saw the crowning glory of the knitting lab: The Stoll machines!  These are enormous knitting machines that are programmed by computer.  There were three of them, capable of knitting 7, 10, and 12 -cut.  If I remember correctly, these numbers refer to the number of spaces between one inch of needles (essentially the gauge).  Here is one of them:

One of three Stoll machines

"The Right Way to Knit"

Ann showing me the CAD program set-up

The difference between a Slip Stitch and a Tuck Stitch

My design I made on the CAD: The Knitting Traditions Logo

What an incredible experience it was to see the industry side of knitting at FIT.  It is so totally different from handknitting in process, but with many of the same results.  I am so grateful to Ann for sharing her day and her work with me.  I hope you all enjoyed that as much as I did!

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While on my cruise this past summer in August, the ship docked in Invergorden in Scotland.  This is a little town about a half-hour from Inverness.  I was so tired that I decided not to travel far.  I walked off the ship and immediately saw a sign for a craft show.  Never one to pass up a chance  to see crafts, I walked in. I was so surprised to see several racks of ganseys hanging about as well as a stack of my book Knitting Ganseys on a table.  There were loads of beautiful swatches as well!  I met Kathryn Logan, the director of the Moray Firth Gansey Project. She took this photo of me...

Me and part of the Moray Firth Gansey Project Display

From Wikipedia: Firth is the word in the Lowland Scots language used to denote various coastal waters in Scotland. In mainland Scotland it is used to describe a large sea bay, or even a strait. In the Northern Isles it more usually refers to a smaller inlet. It is linguistically cognate to fjord. Well that explains that! The Moray Firth is a large bay in Scotland that feeds into Loch Ness where fishing, and knitting ganseys, has occurred for many a year.  The three-year project was formed to try to preserve any garments still in existence, and to foster renewed interest in the motifs, the ganseys, and the heritage of this community. So, the other day, I received a press release. The Project has finalized its plans for an international gansey competition!  I am so honored to have been asked to serve as one of the judges for the upcoming  competition.  Here is the scoop–please consider entering! Dear Friends of the Moray Firth Gansey Project, Here's what you've all been waiting for - the launch of our exciting international competition to design a new gansey pattern for the Moray Firth. Whether you are a master knitter, a complete beginner, a budding designer or simply fascinated with the Moray Firth area, this could be the competition for you. Many traditional fishermen's ganseys are considered works of art because of their decorative yet simple patterns.  These patterns represented familiar everyday objects, such as ropes, nets, flags, stars, and waves.  What our judges are looking for is an original design that reflects aspects of maritime or fishing life around this beautiful and productive Scottish coastline in the 21st Century. The competition is split into two sections: [a] Design a gansey patterned bag (More suitable for inexperienced knitters) [b] Design a new adult gansey pattern For full details of this exciting competition plus photographs and traditional patterns take a look at the Project website: www.gansey-mf.co.uk. The closing date is 4 April 2011 and please pass details of the competition to anyone else that may be interested. For further information, contact: Kathryn Logan, Moray Firth Gansey Project, The Moray Firth Partnership, Great Glen House, Leachkin Road, Inverness, Scotland, UK 1V3 8NW; e-mail: ganseymf@gmail.com; Tel: (0044) (0)1463 725027 or if outwith office hours Tel: (0044) (0)1463 793948. Go to the website.  There you will find all the information needed to enter the competition.  This is a DESIGN competition, meaning that it is not expected that anyone would knit a gansey by the April deadline.  Swatches, charts, and descriptions are required for either a gansey or a gansey-themed bag.  Non-knitters are welcome as well to join in! Stay tuned as I learn more about the event surrounding the competition that will be held this fall called (I just love this): EXTRAVAGANSEY!

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Throughout most of the year, especially when my teaching schedule is hectic beyond control, a mountain of yarns, papers, bills, color cards, magazines, and other detritus appears on my desk that proceeds to spill onto the floor and crawl out to the living room, onto the sofa, chairs, and coffee table.  The psychic toll this takes on my creativity and organization is immense, yet it becomes so huge that it seems impossible to tackle in a day or two.  So it grows. My  goal this year is to be able to see the surface of my office floor, desk and coffee table throughout the year.  I am done with resolutions.  They fade quickly.  A goal is something to strive for.  I might meet it, I might not, but any amount of striving will be good. To kick off the new year, I dedicated more than two days to organizing, throwing stuff out and filing.  I even printed file folder labels on my new label printer just to impress myself with a sense of organization and clarity, since my penmanship has degenerated to that of a seasoned physician. The state of the room had to get worse before it got better in the process of sorting things out.  Now, I didn't take a before picture, and somehow the photo of the middle of the process (the worst) is now no longer to be found.  Just as well.  I would have been so embarrassed. So here (deep sigh of relief) is the result of my toil.

Neat and tidy office 1

 

Neat office 2

I feel energized by this spaciousness.  Now to keep it that way! I am busy planning my year of teaching, which will start soon.  But I am distracted by iMovie.  I have had a lot of fun playing with that on my new computer and making up tutorials that I will put up on my website soon (I hope).  I have four movies on YouTube now with two more to process before I need to resume filming.  I am open to hearing any suggestions you might have for tutorials.  I have a list a mile long but may not think of something you would deem pertinent.  Let me know! Thanks to all of you who have subscribed to both my YouTube movies and to this blog!  If you are interested, you also can subscribe to my newsletter. Cheers!

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I finally got the go-ahead to show my hat and mittens I knitted for  Voyageur Press.  The title of this design anthology hasn't been decided upon yet, but I can say my design will be "published in a book by Voyageur Press in Fall 2012".  Despite the deadlines imposed on designers and knitters (I had to have it done by 12/1/2010), things seem to move at a glacial rate in the publishing industry.  I know that's because there is so much behind-the-scenes work I am totally unaware of.  Anyway, here it is, my obsessive project at 54 stitches/ 4 inches (13.5 sts per inch).

Sunnhordaland Hat

Sunnhordaland Mittens

The inspiration of these is a sweater I saw in Suzanne Pagoldh's book Nordic Knitting.  (Going for $90, but on that link I saw some used ones for $21!)  The sweater that used these motifs (on page 45) was knitted in red, black, white, and green.  The photo shows a garment that is kinda pink, because the red dye ran.  It is still a breathless garment, I think.  If I ever get to Bergen, I will look this sweater up! In my version, both the hat brim and the mitten cuffs are lined with solid yellow knitting for warmth, stability, and to hide the floats.  I did not weave once in all the knitting, because I knew it would show and create distortion.  Each time I tried the mittens on, there was no problem with snagging.  The wool component of the yarn had already created cohesion.  I used a lace-weight yarn from Redfish Dyeworks that is 50% silk, 50% merino in four colors on #000 dpns and a #000 HiyaHiya circular needle from Lacis. There were a few rounds in the cuff where there are four colors in a round, and sometimes in the main pattern, there are three colors in the round.  I sure wish my photos could better capture the pieces.  I think the hat and mittens look much more dynamic in real life.  My poor lighting flattens them out, but you get the idea... I knitted two mittens before I got it right.  The whole process of designing and knitting spanned from August to December 8 when I packed it all off in the mail.  I listened to more than four books on tape just to knit the hat alone.  It was truly a marathon.  I am glad the race is done.  And I won't see them again until Fall 2012.  Sigh.

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First, I want to say HAPPY NEW YEAR to all of you!  May the coming year be filled with joy and prosperity for all of us, especially peace throughout the world.  I am planning on knitting with friends on New Year's Eve. : ) Second, I'd like to tell you that an interview of me has been posted in the Craft A Guild newsletter.  Thank you Nancy for the opportunity to talk about my work!  DO check out Nancy's website which is about creating learning communities (guilds) through crafts.  She has an eBook, Craft A Guild, for purchase which outlines the steps necessary in creating a solid foundation for a guild that will last and function for the benefit of its members.  Having started two guilds myself, long ago, I know the importance of the many steps she explains in this book.  She writes pertinent articles on all facets of guilds- non-profit status, setting up workshops, working with your Guild's Board.  And she has give-aways sometimes too! Knitting Journals I love organization, probably because I am SO disorganized.  There are days when I spend an hour looking for something in the chaos of my office/apartment/computer/mind and still can't find it.  Complete and total frustration.  SO... with the New Year fast approaching, I thought I might resolve to be more organized next year.  At least about my knitting! Here is my version of keeping that kind of information.  I have used manila folders, one to each project,  so I could keep them in my filing cabinet.

My "journal" for one of my projects

You can see two different groupings of yarns and swatches (I kept changing yarns and gauge) as well as charts I've made in Stitch Painter, the knitting instructions I wrote up, and my messy, doodly notes. The main problem, other than the unattractive appeal of a manila folder, is that stuff falls out of the sides and gets mixed up with all the other detritus in the bottom of my filling cabinet drawer.  Also, when I size out a garment, I sometimes print out the charts for each size.  That's a lot of paper–about 6 to 8 sheets per size.  I think I'd like to keep the charts in the filing cabinet and the yarns, etc, in a notebook. I went to a friend's house last week and was blown away by her knitting journal.  It was a simple spiral notebook with each page or so dedicated to a project she had knitted.  The yarns used were stapled to the page and she had written out all the pertinent information she wanted to keep.  I was so impressed!  It was SO FULL! So what information is important to keep?  Well, that will vary from knitter to knitter, depending on the purpose of the journal.  My friend Tom, one of the most prolific knitters I know, has photo albums (MANY photo albums) of the finished garments modeled by the lucky recipients.  This type of journal is a memory-keeper and perfect for the person who doesn't want to reknit anything.  If you want to be able to reconstruct the garment at a later date, you'll want to keep as much info as possible about the yarn, the pattern, any changes, etc. Here is a list of things I feel is important: 1. Use something beautiful–a bound, blank-paged journal,  or one of those swanky notebooks that scrapbookers are using these days so you can use those plastic page protectors to hold the yarns and swatches. 2. You'll need paper pages too to list yarn type, gauge, name of pattern, size made.  Graph paper pages would be useful as well if you want to include a chart you have devised.  I like to make a cartoon of what I am making and it usually develops into a schematic (a drawing with measurements). 3. Include yarn label and sample of yarn, as well as your gauge swatch. 4. Write down any deviations from the pattern.  I do this anyway when I knit sleeves, socks, or mittens, to be sure they'll be the same. 5. Include a photo of the finished item, preferably modeled on the person for whom it was intended. 6. Add any thoughts on improvements in case you make this same piece again. 7.  If what you made will be given as a gift, be sure to include a partial ball for repairs—or keep it in case that person will need it.  I usually wind some yarn around the label so the recipient has the yarn content for washing. Ravelry has certainly filled this need in many ways as one can enter all that information online.  But I really like to keep bits of the yarn around, and there is something so personal and elegant in having a handmade journal, such as my friend, Margaret Klein Wilson keeps.

Margaret's journal and newly finished sweater

Here is Margaret's journal, with the photo of a lucky little guy who scored a sweater from her.  Behind the journal is the same sweater knitted in a different color of Margaret's sumptuous hand-dyed Mostly Merino yarns.  The journal is so lovely to look at, it would certainly motivate me to put stuff in that rather than my funky manila folders!

Margaret's notes, swatch, and yarn sample

 

The Best Part: a photo of the recipient in his wonderful sweater

I love this!  Margaret has put it all together!  She teaches knitting-journaling classes here in Vermont every year, and is offering one in January!  Here's the info: Record & Reflection: Creating a Knitting Journal A Workshop by Margaret Klein WIlson Significant life events often have a memorable piece of knitting attached to them. The knitting may leave us, but the memory of the piece and its place in our lives lingers. This workshop explores how to create and shape a journal/ portfolio of our knitting to be used as both technical reference and an archive of how our creative work and the time of our lives intersect. If you are interested in simply organizing a record of your projects or extending your creativity into keeping a journal, this workshop will give you the tools to achieve both. Materials: bring in the bits of projects (pattern yarn labels, swatches, photos, etc.) your favorite writing sticks and a notebook, along with your sense of humor and an interest in looking at your knitting in a new way. Date: Saturday January 29, 2011.  Time 1-4 Place: Margaret's studio; directions sent upon registration. Cost: $35, limited to 8 people. Contact Margaret at 802.254.7436 or email her:  merino at together dot net So, have a wonderful New Year's Eve and Day (and YEAR!) everybody!  What ways do you keep your knitting history organized?

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I am not an early riser.  More like a night owl.  But yesterday morning, I woke up at 6am without an alarm clock, like a kid on Christmas morning.  I had Plans.  I hopped in my car and drove south to Massachusetts through the beautiful early winter morning on a lovely deserted country road. The mountain ridges in Vermont, and I suppose Massachusetts as well, mostly run north to south, so I followed the ridge and the winding river, almost crusted over with ice.  There still isn't much snow, but everything had that icy frosting on it.  I am so glad to be living in New England! Finally, I pulled up to a VERY charming white farm house with a picket fence around it.  Two border collies bounded out of the house to greet me, and behind them came Kristin Nicholas.  We had recently discovered that we only live about 25 minuted from each other so I came to play Knitting!  Kristin graciously ushered me in and I am sure I gawked at room after room of rich, opulent color that she had created in each space.  Handpainted walls, tapestry-like knitted pillows everywhere, colorful pottery on shelves, her own paintings–every room is an expression of her incredible sense of color and design.

One Corner of Kristin's Dining Room

 

We went into her studio and talked and laughed and played with our Flip cameras (for future tutorials on my website) and had the best potato-leek soup for lunch that I ever ate.  I thought about one time, long ago, when I heard her talking about color.  She had pointed to a mustardy yellow (that I thought was unimpressive) and proclaimed it was such a wonderful color.  It wasn't until I was in Mexico in San Miguel de Allende, that I saw that gorgeous color in its true context on a wall next other incredible colors.  It took a trip to Mexico for me to see how lovely it was indeed.  Therein lies the lesson.  There IS no ugly color.  Only weak or strong color combinations. Kristin has been inspired by color from nature, by great works of art, and by ethnic textiles.  She is so successful at conveying this in her eight books and her website and blog!  Even her downloadable pattern leaflets are a profusion of color which cause me to look at my own patterns with a critical eye.  She is now offering weekend workshops (see her blog Getting Stitched on the Farm), so that others may learn from her and get a glimpse of her life.  She even wrote about our day on her blog! More than 80 sheep and many chickens were wandering outside in the pasture adding to the rich landscape that is her life.  I sadly had to go before I could meet her daughter Julia, for whom Kristin's yarn line is named. But with some freezer lamb in my thermos lunchbox and her new book, Color by Kristin (which has a lot of photos of her home's interior), in my basket, I felt I was taking a bit of her world home with me.  As I was getting into my car, I realized I had meant to take photos that day, but was so absorbed in the experience of being there, that I forgot!  So you'll just have to get Kristin's book to see what I mean!

Kristin's Latest Book

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I know I have been pretty quiet for a while.  Well, after I sent off the November email newsletter, my precious iBook died. Forever.  It went into DOS mode and said "PANIC!" in five languages.  I cried. If this has happened to you, you know the drill: scramble to retrieve all your data (which I mostly had backed up), shop for a new computer (can I afford it–can I NOT afford it?), finally GET the computer, realize all your software is now obsolete, shop for new software (no, I REALLY can't afford it, but have to get it anyway), install it all, start the steep learning curve, realize that  all 8,000+ photos that have been recovered are now totally disorganized, that the data in Quickbooks is... mostly...there.  Sigh.  I am still not back to normal.  But I'm getting there. There she is--what a beauty!  My new MacBook Pro.  It's a total pleasure working with her.  When I Skype my brother in Germany now, he can actually see me.  And now I can stream Netflix movies instead of waiting around for them to come by mail.  Note my coffee table in its usual disarray.  This is where I do most of my designing and knitting. (My living room is WAY warmer than my office in the winter.) For awhile I thought I had lost all the videos I took while in London, on the cruise, and in Newfoundland, but I found them hiding in my hard drive.  I will blog about the last two trips at some point.  I know I am behind.  The Fall teaching schedule was so hectic, I just didn't have the energy. Also I have been knitting on a hat and mitten project for 3 months and just finished it.  I can't show the photos of it until the publisher announces the book (it's a collection of work from many designers).  I don't know when that will be, actually.  But when I do, I'll put the photos up.  My friends are SO thankful that project is done.  I moaned and complained the whole time.  But really, I have only myself to blame for designing something at the ridiculous gauge of 54 sts/4 inches.  Still I finally got into the groove of it and listened to 4 books on tape near the end of the project, trying to finish it up.  I have to say it is some of the best knitting I have ever done in my life. Today, I received 6 big boxes full of my new DVD.  It has been  a long haul with much blood, sweat and tears, so I am thrilled to have it in hand now.  I spent the day packing up the orders I already have.  After I mail them in the morning, I am going to celebrate!
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